His influences range from the decomposed structure works of old pioneers of Electronic Music to more classic Jazz, electronic and analog music from the now, before and tomorrow. The diversity of the music that inspires him, finds reflection in his own sonic adventures, forming ever evolving sound, combining as map and compass to guide his [ continue ] FELDERMELDER
La composition musicale a été entièrement créée à partir de sons domestiques collectés chez les habitants du quartier qui ont ouvert leur porte pour nous faire partager leur son de prédilection, favori ou redouté. Cette approche vise à mettre en relation les sons de l’espace intime et la potentielle musicalité qui en découle. A l’issue [ continue ] LACÔME & FRIGERI
Lucerne’s Martina Lussi feels home in the intersection between fine arts, music and performance. Within her work she challenges dichotomies such as conscious/unconscious, power/powerlessness and inside/outside. On top, the body of the spectator always plays an essential role in her pieces. Martina has presented her work in various art spaces and in clubs throughout Switzerland [ continue ] MARTINA LUSSI
We are Sapin Magique and we play improvised shamanic regressive music.https://soundcloud.com/sapin-magique Musica per la radio is a series of concerts conceived for the radio and transmitted exclusively on the radio Link to the project: http://radio-picnic.zonoff.net/onde/?p=1534
Whether you call it just work, music or art. There are two main line in his work; technology, and the abuse of simple things to create complex objects.http://www.floka.com Musica per la radio is a series of concerts conceived for the radio and transmitted exclusively on the radio Link to the project: http://radio-picnic.zonoff.net/onde/?p=1534
Karen Geyer is a sound artist who is active between Zurich and New York. Under the name “Grauton” (“shade of grey”) she invents and builds her own mechanical objects whose sounds she picks up using contact microphones; she then amplifies and steers these sounds via a mixing desk as if they were the instruments of [ continue ] KAREN GEYER
Alexandre Joly is a sound artist influenced by nature and its hided forces. He is often using micro sound or even inaudible sound to compose installation in public space. As musician he improvise as a shaman can do during a ceremony. He keep the attention on every small modulation of the sound in order to [ continue ] ALEXANDRE JOLY
The « Strotter » in the decade before World War II were fishing in the canalisation for stocked fat to sell it to soapcompanies. As they were standing on the edge of society, today Strotter Inst. stands on the edge of art and music, working with stuff thrown away by others.http://www.strotter.org Musica per la radio is a [ continue ] STROTTER INST.
The Geneva quartet MASSICOT sounds as if it can barely keep its own energy under control. The no-frills, bone-dry guitar sound oscillates between hypnotically repetitive passages and noisy outbursts. The quartet’s songs are reduced to mere skeletons that burst with intensity. Simone Aubert plays rhythm guitar with a manic energy; Lea Jaecklin coaxes sounds from [ continue ] MASSICOT
The co-founder of ganzerplatz soundstudios has been an active musician and producer in a wide range of musical contexts. As a composer and sound artist he produces music & sounddesign for feature films, documentaries, theater and radio. In live performances and installations Simon Grab uses the venue as an acoustic playground. He likes exploring new [ continue ] SIMON GRAB